The Maddening (1996)-**
Directed by: Danny Huston
Starring: Burt Reynolds, Angie Dickinson, Mia Sara, Josh Mostel, Brian Wimmer, and William Hickey
It’s “Burtsploitation” at its finest as the legendary Reynolds plays an evil psycho in a DTV thriller.
Roy Scudder (the Burtster) and his wife Georgina (Dickinson) live in a creepy old house somewhere in the backwoods of Florida. For their own twisted psychological ends, they kidnap Cassie Osbourne (Sara) and her young daughter Samantha (Buglewicz) and force them to become members of their family. While they’re trying to escape their clutches, Cassie’s husband David (Wimmer) and police inspector Chicky Ross (Mostel) are also trying to get to the bottom of their disappearance. Will they escape with their lives...or will their attempts just be MADDENING?
Trying out the “Old Dark House” scenario with some Psycho (1960)-like moves on a very low budget, The Maddening really is just a standard, dumb hostage drama but with a few “creepy” shots and musical stings. It should have been more of an out-and-out horror movie with a higher kill count, and what further sinks the notion of horror-ness is some stupid humor. Typified by, among other things, the “comical” fat detective that is always eating and even has stereotypical tuba music playing when he walks. Last time we checked, that’s not what horror fans want to see.
What they DO want to see, obviously, is Burt Reynolds. He has some sort of Southern, perhaps Cajun accent that comes and goes, and the absurd toupee he wears looks like a squirrel glued to his head. But for menacing glares, you can’t do much better than the U.S. VHS cover. This may have been made in the 90’s, but it’s no Malone. The rest of the movie has an odd, stilted vibe.
While the movie has a reasonably professional air to it, due largely - probably - to famous Danny Huston as director - it’s kind of hard to imagine anyone being really SCARED by The Maddening. Unless you’re a kid, but then why would you be seeing The Maddening? Unless your parents rented it and you happened to see it...see, this could go on forever. It’s the type of thing that keeps you up at night, We tell ya.
The Maddening is an oddity that only could have happened in the 90’s. It has some big names in a scenario that wavers between unintentional “laffs” and scenes of child abuse. Burt fans surely would want to see him in a rare bad guy role, but the end result of it all is pretty ridiculous.
Also check our buddy, The Video Vacuum's review!
Comeuppance Review by: Ty and Brett
2/10/2012
The Maddening (1996)
Labels:
1996,
Angie Dickinson,
Brian Wimmer,
Burt Reynolds,
Danny Huston,
Josh Mostel,
Mia Sara,
The Maddening,
VHS,
William Hickey
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2/07/2012
Heat (1986)
Heat (1986)-**
Directed by: Dick Richards
Starring: Burt Reynolds, Karen Young, Neill Barry, Peter MacNicol, and Howard Hesseman
Nick “Mex” Escalante (Reynolds) is a Las Vegas-based gambler and bodyguard that kind of just drifts through life, going from adventure to adventure - whether it be getting revenge for the rape of his friend Holly (Young) or teaching new acquaintance Cyrus Kinnick (MacNicol) how to defend himself. He just wants to scrape together enough money to move to Venice, but all of his enemies, especially his latest one, Danny DeMarco (Barry) - want to prevent this from happening.
This was the beginning of Burt’s “Not Caring” period. Probably due to circumstances in his personal life, what was probably perceived at the time as just a droll performance, is actually how Burt carried out most of his work from here on in. This movie not only has a slow pace and is talky when there should be action, it seems less like an action movie and more of a rambling drama. The fact that Robert Altman was originally slated to direct makes a lot of sense.
The few action scenes there are happen to be absolutely priceless - they’re very funny. But their humor, whether intentional or not, does not match the tone of the rest of the film. In between the action bits, there are long stretches where, boringly, nothing really goes on. What a wasted opportunity. The DeMarco crime family should have sent more goons after Burt and he can dispatch them in his own inimitable way. But no, it’s him and Peter MacNicol talking about life. Can’t they do that on their own time? There isn’t even one car chase for crying out loud.
On the positive side, there is a lot of pre-political correctness dialogue, and the soundtrack is drenched in classic sax (just like the Wings Hauser Las Vegas movie Living To Die, 1990). And, of course, Howard Hesseman is involved. And if you can’t get enough of the magnetism of Burt Reynolds (not caring), Heat should satisfy that need. Keep in mind this was the BEGINNING of his Not Caring period. Compared to later outings, he still had a little bit of “care” left in him.
Heat is not exactly a must see, but in the action sequences, we actually rewound a few parts. So if you find it cheap somewhere (very cheap) get it. Otherwise, eh.
Comeuppance Review by: Brett and Ty
Directed by: Dick Richards
Starring: Burt Reynolds, Karen Young, Neill Barry, Peter MacNicol, and Howard Hesseman
Nick “Mex” Escalante (Reynolds) is a Las Vegas-based gambler and bodyguard that kind of just drifts through life, going from adventure to adventure - whether it be getting revenge for the rape of his friend Holly (Young) or teaching new acquaintance Cyrus Kinnick (MacNicol) how to defend himself. He just wants to scrape together enough money to move to Venice, but all of his enemies, especially his latest one, Danny DeMarco (Barry) - want to prevent this from happening.
This was the beginning of Burt’s “Not Caring” period. Probably due to circumstances in his personal life, what was probably perceived at the time as just a droll performance, is actually how Burt carried out most of his work from here on in. This movie not only has a slow pace and is talky when there should be action, it seems less like an action movie and more of a rambling drama. The fact that Robert Altman was originally slated to direct makes a lot of sense.
The few action scenes there are happen to be absolutely priceless - they’re very funny. But their humor, whether intentional or not, does not match the tone of the rest of the film. In between the action bits, there are long stretches where, boringly, nothing really goes on. What a wasted opportunity. The DeMarco crime family should have sent more goons after Burt and he can dispatch them in his own inimitable way. But no, it’s him and Peter MacNicol talking about life. Can’t they do that on their own time? There isn’t even one car chase for crying out loud.
On the positive side, there is a lot of pre-political correctness dialogue, and the soundtrack is drenched in classic sax (just like the Wings Hauser Las Vegas movie Living To Die, 1990). And, of course, Howard Hesseman is involved. And if you can’t get enough of the magnetism of Burt Reynolds (not caring), Heat should satisfy that need. Keep in mind this was the BEGINNING of his Not Caring period. Compared to later outings, he still had a little bit of “care” left in him.
Heat is not exactly a must see, but in the action sequences, we actually rewound a few parts. So if you find it cheap somewhere (very cheap) get it. Otherwise, eh.
Comeuppance Review by: Brett and Ty
Labels:
1986,
Heat,
Howard Hesseman,
Karen Young,
Neill Barry,
Peter McNicol
| Reactions: |
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