Directed by: Tim Spring
Starring: Dale "Apollo" Cook, Ron Hall, Nick Hill, Mychelle Charters, and Nick Nicholson
Johnny Rider (Cook) is a kickboxer who accidentally kills his opponent
during one of his matches. His brother Gabe was working with DEA agent
Susan Wells (Charters) to take down the evil, sadistic, drug-dealing Rod
Sparks (Hill). Unfortunately, Sparks found out Gabe was undercover and
killed him. Now Johnny wants revenge, so he follows in his brother’s
footsteps and works with Susan to infiltrate the Sparks gang.
Meanwhile, Johnny and Susan develop a romantic relationship, and the
main cop working the case, Bill Williams (Hall) complicates matters
because he’s involved as well. Can Johnny use his kickboxing skills to
get some closure regarding his brother?
It’s a good thing
kickboxers and cops have brothers, or most low-budget action movies
would not get made. Luckily, Johnny Rider does, so he comes into town to
get justice. It
seems the filmmakers at least tried to make Dale “Apollo” Cook likable
this time around. For Rider, shirtlessness is a way of life, and he
always seems to run into trouble and having to kickbox his way out of
Because the film is under-lit and most scenes are extremely dark - this is probably the darkest film we’ve seen, darker than American Dragons (1998), Raw Target
seems to have pioneered a new genre: Darkfighting. This variant of
punchfighting happens when few, if any, lights are on. Perhaps this was a
conscious choice by director Tim Spring, thinking that an audience
would be hard-pressed to tell if punches and kicks are connecting if you
just can’t see anything. But the problem is, well...you just can’t see
Luckily you can see Nick Hill’s wardrobe in the film. Rod Sparks is one snappy dresser. Hill is better acting-wise in Death Match, 1994
(and Fists of Iron, 1995 for that matter), but his martial arts looks good.
to play an over-the-top crazy villain, but it doesn’t really come off,
he seems more suited to playing the “nice guy”. But though Raw Target
falls prey to such common problems for movies of this type such as some
horrendous acting and some really terrible editing, once again these
things don’t matter. I would assume most people that rented this from
their local video store back in the day weren’t concerned with the
copious padding of the running time and serious pacing issues. What fans
want to see is Cook beat people up, and that definitely happens. Watch
out for Nick Nicholson in a small role as well.
all the mindless fighting that has gone on, during the final
confrontation, the same guitar riff plays over and over again in the
background. Could they only afford one riff? But the movie redeems
itself from that with a freeze-frame ending and an amazingly
groan-inducing, dated final line. And the title song by Gracy Carlson is
perfect for the movie, falling perfectly in with other songs such as
“No Exit” (from Fatal Combat, 1997) and "White Fury” (from the AIP film of the same name).
Released on Vidmark on VHS in the U.S., as was most of Cook’s material, you could certainly do worse than Raw Target.
Comeuppance Review by: Brett and Ty